Give It Up - Original Mix
30s preview
- Key
- 9A · E minor
- BPM
- 128
- Open Key
- 2m
- Energy
- 94/100
- Pop
- 3/100
- Length
- 7:33
- Released
- 1997
- Album
- Give It Up, Pt. 2
- Genre
- House
- Loudness
- -7.1 dB
- Dynamics
- 11.2 dB
- ISRC
- USLZJ1530749
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Give It Up - Carlos Manaca Remixremix2B · 130
- Give It Up - Original Mixoriginal9A · 128
- Give It Up - Peter Bailey Remixremix9B · 130
- Give It Up - Laidback Luke Remixremix9A · 129
- Give It Up - Genie Remixremix3B · 134
- Give It Up - Laidback Luke Remixremix11A · 129
Give It Up - Original Mix is a peak-time tempo house track in E minor (9A) at 128 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 1997 production that still circulates in sets. More treble-tilted than 88% of Victor Calderone's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 82% of Victor Calderone's catalogue
- Brightness:
- brighter than 75% of Victor Calderone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Give It Up - Original Mix in?
Give It Up - Original Mix by Victor Calderone is in E minor, or 9A on the Camelot wheel.
What BPM is Give It Up - Original Mix?
Give It Up - Original Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Give It Up - Original Mix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Give It Up - Original Mix good for peak time?
With energy 94 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
![7 Seconds (James Hype Dub) [feat. Shamiya Battles] - Extended Mix by James Hype cover art](https://i.scdn.co/image/ab67616d00001e0273ad330a49b697de19118f71){kind=small}
How to mix it
In 9A at 128 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
![Let My Brain Go - Len Faki Remix [Edit] by Len Faki cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5eabe361f7389f147272.webp){kind=small}
More house
More from Victor Calderone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
