Alperton Badass - Original Mix
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 6:36
- Released
- 2009
- Album
- Alperton Badass EP
- Genre
- Techno
- Loudness
- -9.5 dB
- Dynamics
- 13.6 dB
- ISRC
- GBKQU0905004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Alperton Badass - Gennaro Mastrantonio Remixremix3A · 128
- Alperton Badass - Live In Glasgow Mixoriginal10A · 128
- Alperton Badass - Tony Rohr Remixremix10B · 127
Alperton Badass - Original Mix runs 128 BPM in B minor (10A), a peak-time tempo techno record. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2009 production that still circulates in sets. Brighter than 99% of Perc's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- more underground than 99% of Perc's catalogue
- Low end:
- more treble-tilted than 82% of Perc's catalogue
- Groove:
- groovier than 79% of Perc's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Alperton Badass - Original Mix in?
Alperton Badass - Original Mix by Perc is in B minor, or 10A on the Camelot wheel.
What BPM is Alperton Badass - Original Mix?
Alperton Badass - Original Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Alperton Badass - Original Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Alperton Badass - Original Mix good for peak time?
With energy 94 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Perc
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
