Give It Up - Original Mix by Victor Calderone cover art

Give It Up - Original Mix

Victor Calderone

30s preview

Key
9A · E minor
BPM
128
Open Key
2m
Energy
94/100
Pop
6/100
Length
7:32
Released
2013
Album
Give It Up
Genre
Progressive House
Label
Magna Recordings
Loudness
-4.8 dB
Dynamics
11.3 dB
ISRC
USVHE1300029

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Give It Up - Original Mix is a peak-time tempo progressive house track in E minor (9A) at 128 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2013 production that still circulates in sets. More treble-tilted than 89% of Victor Calderone's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 79% of Victor Calderone's catalogue
Reach:
better known than 79% of Victor Calderone's catalogue
Brightness:
brighter than 77% of Victor Calderone's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood60Balanced
Groove77
Acoustic0
Instrumental91
Live11
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Give It Up - Original Mix in?

Give It Up - Original Mix by Victor Calderone is in E minor, or 9A on the Camelot wheel.

What BPM is Give It Up - Original Mix?

Give It Up - Original Mix runs at 128 BPM, a peak-time tempo track.

What mixes well with Give It Up - Original Mix?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Give It Up - Original Mix good for peak time?

With energy 94 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 128 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 94/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More progressive house

More from Victor Calderone

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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