
The Thrill (Porter Robinson remix)
30s preview
- BPM
- 80
- Double-time
- 160
- Open Key
- 6m
- Energy
- 38/100
- Pop
- 0/100
- Length
- 4:38
- Released
- 2015
- Genre
- Drum N Bass
- Loudness
- -5.4 dB
- Dynamics
- 10.9 dB
- ISRC
- GBUM71501106
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Thrilloriginal1B · 76
- The Thrill - Porter Robinson Remixremix1A · 80
- The Thrill - KANT Remixremix3A · 118
- The Thrill - René LaVice's Thrillseeking Remixremix11B · 174
- The Thrill - TCTS Remixremix4A · 120
Against the original (1B at 76 BPM), this version runs 4 BPM faster and moves the key from 1B to 1A.
At 80 BPM in A♭ minor (1A), The Thrill (Porter Robinson remix) is a downtempo drum n bass production. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. More underground than 99% of Nero's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 98% of Nero's catalogue
- Tempo:
- slower than 98% of Nero's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is The Thrill (Porter Robinson remix) in?
The Thrill (Porter Robinson remix) by Nero is in A♭ minor, or 1A on the Camelot wheel.
What BPM is The Thrill (Porter Robinson remix)?
The Thrill (Porter Robinson remix) runs at 80 BPM, a downtempo track.
What mixes well with The Thrill (Porter Robinson remix)?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is The Thrill (Porter Robinson remix) good for peak time?
With energy 38 out of 100 at 80 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 80 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 75-85 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 80 — beatmatch without a big tempo pull.
More drum n bass
More from Nero
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 80 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.