Sea of Souls (Anjunadeep 16 interlude edit)
- BPM
- 84
- Double-time
- 168
- Open Key
- 5m
- Energy
- 36/100
- Pop
- 35/100
- Length
- 1:49
- Released
- 2026
- Genre
- Progressive House
- Loudness
- -12.1 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Sea of Souls (Anjunadeep 16 interlude edit) runs 84 BPM in D♭ minor (12A), a downtempo progressive house record. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. The master keeps real dynamic headroom. Slower than 99% of Jody Wisternoff's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 99% of Jody Wisternoff's catalogue
- Energy:
- calmer than 97% of Jody Wisternoff's catalogue
- Reach:
- better known than 92% of Jody Wisternoff's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sea of Souls (Anjunadeep 16 interlude edit) in?
Sea of Souls (Anjunadeep 16 interlude edit) by Jody Wisternoff is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Sea of Souls (Anjunadeep 16 interlude edit)?
Sea of Souls (Anjunadeep 16 interlude edit) runs at 84 BPM, a downtempo track.
What mixes well with Sea of Souls (Anjunadeep 16 interlude edit)?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Sea of Souls (Anjunadeep 16 interlude edit) good for peak time?
With energy 36 out of 100 at 84 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 84 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 79-89 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 84 — beatmatch without a big tempo pull.
More progressive house
More from Jody Wisternoff
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 84 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
