Ease Yourself
30s preview
- BPM
- 84
- Double-time
- 168
- Open Key
- 7m
- Energy
- 40/100
- Pop
- 16/100
- Length
- 4:02
- Released
- 2024
- Genre
- Progressive House
- Loudness
- -9.1 dB
- Dynamics
- 11.1 dB
- ISRC
- GBEWA2504240
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ease Yourselforiginal2A · 123
A downtempo progressive house cut, Ease Yourself sits in E♭ minor (2A) at 84 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Slower than 99% of Jody Wisternoff's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 99% of Jody Wisternoff's catalogue
- Energy:
- calmer than 97% of Jody Wisternoff's catalogue
- Brightness:
- darker than 84% of Jody Wisternoff's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Ease Yourself in?
Ease Yourself by Jody Wisternoff is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Ease Yourself?
Ease Yourself runs at 84 BPM, a downtempo track.
What mixes well with Ease Yourself?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Ease Yourself good for peak time?
With energy 40 out of 100 at 84 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 84 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 79-89 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 84 — beatmatch without a big tempo pull.
More progressive house
More from Jody Wisternoff
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 84 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
