Rise Again by Sabo cover art

Rise Again

Sabo

30s preview

Key
3A · B♭ minor
BPM
172
Half-time
86
Open Key
8m
Energy
58/100
Pop
0/100
Length
5:03
Released
2008
Genre
House
Loudness
-8.1 dB
Dynamics
12.4 dB
ISRC
ITI020800043

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A house cut, Rise Again sits in B♭ minor (3A) at 172 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2008 production that still circulates in sets. More underground than 99% of Sabo's catalogue. In a set it works best as an opener or closing-set piece.

Tempo:
faster than 97% of Sabo's catalogue
Groove:
less groove-driven than 92% of Sabo's catalogue
Energy:
calmer than 91% of Sabo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy58
Mood69Bright
Groove66
Acoustic1
Instrumental11
Live13
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Rise Again in?

Rise Again by Sabo is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Rise Again?

Rise Again runs at 172 BPM.

What mixes well with Rise Again?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Rise Again good for peak time?

With energy 58 out of 100 at 172 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 172 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

#Track

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track