Nothing Is Real
- Key
- 9B · G major
- BPM
- 83
- Double-time
- 166
- Open Key
- 2d
- Energy
- 64/100
- Pop
- 0/100
- Length
- 4:12
- Released
- 2002
- Genre
- Tech House
- Loudness
- -7.2 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 83 BPM in G major (9B), Nothing Is Real is a downtempo tech house production. Tonally it lands dark and driving. It is vocal-led. A 2002 production that still circulates in sets. More underground than 99% of Fisher's catalogue. For programming, treat it as an opener or closing-set piece.
- Tempo:
- slower than 98% of Fisher's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Nothing Is Real in?
Nothing Is Real by Fisher is in G major, or 9B on the Camelot wheel.
What BPM is Nothing Is Real?
Nothing Is Real runs at 83 BPM, a downtempo track.
What mixes well with Nothing Is Real?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Nothing Is Real good for peak time?
With energy 64 out of 100 at 83 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 83 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 78-88 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 83 — beatmatch without a big tempo pull.
More tech house
More from Fisher
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 83 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
