Jamming - FISHER Rework by Fisher cover art

Jamming - FISHER Rework

Fisher

30s preview

Key
10A · B minor
BPM
126
Open Key
3m
Energy
89/100
Pop
68/100
Length
3:22
Released
2024
Album
Jamming (FISHER Rework)
Genre
Tech House
Loudness
-6.9 dB
Dynamics
10.1 dB
ISRC
USUM72401299

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo tech house cut, Jamming - FISHER Rework sits in B minor (10A) at 126 BPM. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 96% of Fisher's catalogue. In a set it works best as a peak-time weapon.

Groove:
groovier than 90% of Fisher's catalogue
Energy:
hotter than 82% of Fisher's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood60Balanced
Groove85
Acoustic0
Instrumental10
Live6
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Jamming - FISHER Rework in?

Jamming - FISHER Rework by Fisher is in B minor, or 10A on the Camelot wheel.

What BPM is Jamming - FISHER Rework?

Jamming - FISHER Rework runs at 126 BPM, a club-tempo track.

What mixes well with Jamming - FISHER Rework?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Jamming - FISHER Rework good for peak time?

With energy 89 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 89/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More tech house

More from Fisher

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track