World, Hold On - FISHER Rework by Fisher cover art

World, Hold On - FISHER Rework

Fisher

30s preview

Key
12A · D♭ minor
BPM
127
Open Key
5m
Energy
88/100
Pop
61/100
Length
2:58
Released
2022
Album
World, Hold On (FISHER Rework)
Genre
Tech House
Loudness
-5.2 dB
Dynamics
10.3 dB
ISRC
FR4E42227000

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo tech house cut, World, Hold On - FISHER Rework sits in D♭ minor (12A) at 127 BPM. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 96% of Fisher's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 94% of Fisher's catalogue
Energy:
hotter than 81% of Fisher's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood90Bright
Groove77
Acoustic1
Instrumental1
Live14
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is World, Hold On - FISHER Rework in?

World, Hold On - FISHER Rework by Fisher is in D♭ minor, or 12A on the Camelot wheel.

What BPM is World, Hold On - FISHER Rework?

World, Hold On - FISHER Rework runs at 127 BPM, a peak-time tempo track.

What mixes well with World, Hold On - FISHER Rework?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is World, Hold On - FISHER Rework good for peak time?

With energy 88 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 127 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 88/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More tech house

More from Fisher

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track