Yeah The Girls by Fisher cover art

Yeah The Girls

Fisher

30s preview

Key
4B · A♭ major
BPM
126
Open Key
9d
Energy
97/100
Pop
58/100
Length
3:14
Released
2022
Genre
Tech House
Label
Catch & Release
Loudness
-5.3 dB
Dynamics
14.0 dB
ISRC
QM24S2203777

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Yeah The Girls: club-tempo tech house, A♭ major (4B), 126 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 14 dB). Hotter than 94% of Fisher's catalogue. For programming, treat it as a peak-time weapon.

Reach:
better known than 91% of Fisher's catalogue
Brightness:
brighter than 83% of Fisher's catalogue
Low end:
more treble-tilted than 76% of Fisher's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood79Bright
Groove76
Acoustic0
Instrumental76
Live10
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Yeah The Girls in?

Yeah The Girls by Fisher is in A♭ major, or 4B on the Camelot wheel.

What BPM is Yeah The Girls?

Yeah The Girls runs at 126 BPM, a club-tempo track.

What mixes well with Yeah The Girls?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Yeah The Girls good for peak time?

With energy 97 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 126 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 97/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More tech house

More from Fisher

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track