Addiction - Radio Edit
30s preview
- Key
- 1B · B major
- BPM
- 126
- Open Key
- 6d
- Energy
- 97/100
- Pop
- 33/100
- Length
- 3:05
- Released
- 2019
- Album
- Afterhours / Addiction
- Genre
- Tech House
- Label
- This Ain't Bristol
- Loudness
- -7.3 dB
- Dynamics
- 16.7 dB
- ISRC
- DEY471981282
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Addictionoriginal1B · 126
Against the original (1B at 126 BPM), this version holds the same tempo in the same key.
Addiction - Radio Edit is a club-tempo tech house track in B major (1B) at 126 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 17 dB). More treble-tilted than 99% of John Summit's catalogue.
- Energy:
- hotter than 91% of John Summit's catalogue
- Brightness:
- brighter than 81% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Addiction - Radio Edit in?
Addiction - Radio Edit by John Summit is in B major, or 1B on the Camelot wheel.
What BPM is Addiction - Radio Edit?
Addiction - Radio Edit runs at 126 BPM, a club-tempo track.
What mixes well with Addiction - Radio Edit?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Addiction - Radio Edit good for peak time?
With energy 97 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 126 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
