Last Light by Grum cover art

Last Light

Grum

30s preview

Key
9A · E minor
BPM
90
Double-time
180
Open Key
2m
Energy
32/100
Pop
6/100
Length
2:21
Released
2022
Genre
Progressive House
Loudness
-11.5 dB
Dynamics
12.1 dB
ISRC
GBEWA2202416

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Last Light is a slow-groove tempo progressive house track in E minor (9A) at 90 BPM. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Calmer than 98% of Grum's catalogue. For programming, treat it as a warm-up or breakdown cut.

Tempo:
slower than 98% of Grum's catalogue
Groove:
less groove-driven than 94% of Grum's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy32
Mood13Dark
Groove44
Acoustic48
Instrumental14
Live11
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Last Light in?

Last Light by Grum is in E minor, or 9A on the Camelot wheel.

What BPM is Last Light?

Last Light runs at 90 BPM, a slow-groove tempo track.

What mixes well with Last Light?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Last Light good for peak time?

With energy 32 out of 100 at 90 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 90 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 85-95 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 90 — beatmatch without a big tempo pull.

More progressive house

More from Grum

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 90 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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