Erase (An Apparition)
30s preview
- BPM
- 93
- Double-time
- 186
- Open Key
- 9d
- Energy
- 27/100
- Pop
- 20/100
- Length
- 4:19
- Released
- 2022
- Album
- The Apparitions
- Genre
- Progressive House
- Label
- Anjunadeep
- Loudness
- -15.4 dB
- Dynamics
- 15.3 dB
- ISRC
- GBEWA2200393
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Eraseoriginal3A · 186
- Erase - Live At The Roundhouse, Londonoriginal3B · 124
- Erase - Rezident Extended Mixversion3A · 129
- Eraseoriginal3B · 124
A slow-groove tempo progressive house cut, Erase (An Apparition) sits in A♭ major (4B) at 93 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Calmer than 99% of Ben Böhmer's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 99% of Ben Böhmer's catalogue
- Groove:
- less groove-driven than 99% of Ben Böhmer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Erase (An Apparition) in?
Erase (An Apparition) by Ben Böhmer is in A♭ major, or 4B on the Camelot wheel.
What BPM is Erase (An Apparition)?
Erase (An Apparition) runs at 93 BPM, a slow-groove tempo track.
What mixes well with Erase (An Apparition)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Erase (An Apparition) good for peak time?
With energy 27 out of 100 at 93 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 93 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 87-99 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 93 — beatmatch without a big tempo pull.
More progressive house
More from Ben Böhmer
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 93 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.