Get Me Off - Peaches Remix by Basement Jaxx cover art

Get Me Off - Peaches Remix

Basement Jaxx

30s preview

Key
3B · D♭ major
BPM
180
Half-time
90
Open Key
8d
Energy
33/100
Pop
10/100
Length
3:14
Released
2002
Album
Get Me Off
Genre
House
Label
XL Recordings
Loudness
-7.6 dB
Dynamics
13.3 dB
ISRC
GBBKS0200031

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (10A at 128 BPM), this version runs 52 BPM faster and moves the key from 10A to 3B.

Get Me Off - Peaches Remix runs 180 BPM in D♭ major (3B), a house record. The feel is brooding and low-slung. The mix is almost entirely instrumental. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2002 production that still circulates in sets. Faster than 99% of Basement Jaxx's catalogue.

Energy:
calmer than 98% of Basement Jaxx's catalogue
Brightness:
darker than 93% of Basement Jaxx's catalogue
Groove:
groovier than 91% of Basement Jaxx's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy33
Mood12Dark
Groove83
Acoustic2
Instrumental88
Live11
Speech51

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
25%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Get Me Off - Peaches Remix in?

Get Me Off - Peaches Remix by Basement Jaxx is in D♭ major, or 3B on the Camelot wheel.

What BPM is Get Me Off - Peaches Remix?

Get Me Off - Peaches Remix runs at 180 BPM.

What mixes well with Get Me Off - Peaches Remix?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Get Me Off - Peaches Remix good for peak time?

With energy 33 out of 100 at 180 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 180 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 180 — beatmatch without a big tempo pull.

#Track

More house

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Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track