CYANIDE
30s preview
- Key
- 5A · C minor
- BPM
- 89
- Double-time
- 178
- Open Key
- 10m
- Energy
- 17/100
- Pop
- 55/100
- Length
- 3:19
- Released
- 2026
- Genre
- House
- Loudness
- -17.8 dB
- Dynamics
- 13.1 dB
- ISRC
- USA2P2605973
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
CYANIDE: downtempo house, C minor (5A), 89 BPM. The groove is loose and less beat-driven. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Calmer than 99% of John Summit's catalogue.
- Tempo:
- slower than 99% of John Summit's catalogue
- Groove:
- less groove-driven than 99% of John Summit's catalogue
- Low end:
- more treble-tilted than 99% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 21%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is CYANIDE in?
CYANIDE by John Summit is in C minor, or 5A on the Camelot wheel.
What BPM is CYANIDE?
CYANIDE runs at 89 BPM, a downtempo track.
What mixes well with CYANIDE?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is CYANIDE good for peak time?
With energy 17 out of 100 at 89 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 89 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 84-94 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 89 — beatmatch without a big tempo pull.
More house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 89 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
