Birth - Synthapella Version
30s preview
- Key
- 6A · G minor
- BPM
- 182
- Half-time
- 91
- Open Key
- 11m
- Energy
- 38/100
- Pop
- 7/100
- Length
- 7:54
- Released
- 2015
- Album
- Powers of Ten (Remixes)
- Genre
- Techno
- Label
- Herzblut Recordings
- Loudness
- -13.4 dB
- Dynamics
- 22.4 dB
- ISRC
- DET751500037
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Birth - Ja Mixoriginal6A · 122
- Birth - Super Flu's Early Contractions Remixremix6A · 122
- Birth (Marc Romboy's Ode 2 the Children)original9B · 121
- Birthoriginal6A · 121
Birth - Synthapella Version runs 182 BPM in G minor (6A), a techno record. The feel is brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 22 dB). A 2015 production that still circulates in sets. Faster than 99% of Stephan Bodzin's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more treble-tilted than 98% of Stephan Bodzin's catalogue
- Groove:
- less groove-driven than 97% of Stephan Bodzin's catalogue
- Energy:
- calmer than 91% of Stephan Bodzin's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 19%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 31%
- Upper-mid
- 570 Hz-2.5 kHz
- 26%
- High
- 2.5-11 kHz
FAQ
What key is Birth - Synthapella Version in?
Birth - Synthapella Version by Stephan Bodzin is in G minor, or 6A on the Camelot wheel.
What BPM is Birth - Synthapella Version?
Birth - Synthapella Version runs at 182 BPM.
What mixes well with Birth - Synthapella Version?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Birth - Synthapella Version good for peak time?
With energy 38 out of 100 at 182 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 182 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 171-193 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 182 — beatmatch without a big tempo pull.
More techno
More from Stephan Bodzin
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 182 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
