Take Words in Return
30s preview
- Key
- 4A · F minor
- BPM
- 186
- Half-time
- 93
- Open Key
- 9m
- Energy
- 49/100
- Pop
- 8/100
- Length
- 5:35
- Released
- 2014
- Genre
- House
- Label
- Watergate Records
- Loudness
- -13.3 dB
- Dynamics
- 12.8 dB
- ISRC
- DEPX41200009
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Take Words In Return - Jimi Jules Remixremix3B · 124
- Take Words In Return - C2 Inst Remixremix4A · 124
- Take Words In Return - C2 Vocal Remixremix4A · 124
- Take Words In Return - Return Versionoriginal3A · 124
Take Words in Return is a house track in F minor (4A) at 186 BPM. It reads as dark and steady. The groove is loose and less beat-driven. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2014 production that still circulates in sets. Faster than 99% of Henrik Schwarz's catalogue. In a set it works best as an opener or closing-set piece.
- Groove:
- less groove-driven than 93% of Henrik Schwarz's catalogue
- Brightness:
- darker than 83% of Henrik Schwarz's catalogue
- Low end:
- more bass-heavy than 83% of Henrik Schwarz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Take Words in Return in?
Take Words in Return by Henrik Schwarz is in F minor, or 4A on the Camelot wheel.
What BPM is Take Words in Return?
Take Words in Return runs at 186 BPM.
What mixes well with Take Words in Return?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Take Words in Return good for peak time?
With energy 49 out of 100 at 186 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 186 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 175-197 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 186 — beatmatch without a big tempo pull.
More house
More from Henrik Schwarz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 186 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
