Take Words In Return - Jimi Jules Remix
30s preview
- BPM
- 124
- Open Key
- 8d
- Energy
- 71/100
- Pop
- 16/100
- Length
- 8:53
- Released
- 2017
- Album
- Watergate Remixes 01
- Genre
- Deep House
- Label
- Watergate Records
- Loudness
- -10.6 dB
- Dynamics
- 16.4 dB
- ISRC
- DEPX41700215
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Take Words in Returnoriginal4A · 186
- Take Words In Return - C2 Inst Remixremix4A · 124
- Take Words In Return - C2 Vocal Remixremix4A · 124
- Take Words In Return - Return Versionoriginal3A · 124
Against the original (4A at 186 BPM), this version runs 62 BPM slower and moves the key from 4A to 3B.
Take Words In Return - Jimi Jules Remix is a club-tempo deep house track in D♭ major (3B) at 124 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2017 production that still circulates in sets. More treble-tilted than 86% of Henrik Schwarz's catalogue. In a set it works best as a floor-filler.
- Reach:
- better known than 85% of Henrik Schwarz's catalogue
- Energy:
- hotter than 80% of Henrik Schwarz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Take Words In Return - Jimi Jules Remix in?
Take Words In Return - Jimi Jules Remix by Henrik Schwarz is in D♭ major, or 3B on the Camelot wheel.
What BPM is Take Words In Return - Jimi Jules Remix?
Take Words In Return - Jimi Jules Remix runs at 124 BPM, a club-tempo track.
What mixes well with Take Words In Return - Jimi Jules Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Take Words In Return - Jimi Jules Remix good for peak time?
With energy 71 out of 100 at 124 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
![Medication (feat. Gene Farris) [Extended Mix] by Jamie Jones cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/c9795eb4321e17326eb3.webp){kind=small}
How to mix it
In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More deep house
More from Henrik Schwarz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
