Leave My Head Alone Brain Seven
30s preview
- Key
- 8A · A minor
- BPM
- 184
- Half-time
- 92
- Open Key
- 1m
- Energy
- 28/100
- Pop
- 17/100
- Length
- 5:57
- Released
- 2015
- Genre
- House
- Loudness
- -13.4 dB
- Dynamics
- 18.2 dB
- ISRC
- USSM11409541
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Leave My Head Alone Brain Seven runs 184 BPM in A minor (8A), a house record. It reads as brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). A 2015 production that still circulates in sets. Faster than 98% of Henrik Schwarz's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more treble-tilted than 93% of Henrik Schwarz's catalogue
- Reach:
- better known than 88% of Henrik Schwarz's catalogue
- Energy:
- calmer than 86% of Henrik Schwarz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Leave My Head Alone Brain Seven in?
Leave My Head Alone Brain Seven by Henrik Schwarz is in A minor, or 8A on the Camelot wheel.
What BPM is Leave My Head Alone Brain Seven?
Leave My Head Alone Brain Seven runs at 184 BPM.
What mixes well with Leave My Head Alone Brain Seven?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Leave My Head Alone Brain Seven good for peak time?
With energy 28 out of 100 at 184 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 184 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 173-195 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 184 — beatmatch without a big tempo pull.
More house
More from Henrik Schwarz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 184 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
