All Alone
30s preview
- BPM
- 180
- Half-time
- 90
- Open Key
- 4m
- Energy
- 38/100
- Pop
- 34/100
- Length
- 2:04
- Released
- 2021
- Genre
- Deep House
- Loudness
- -7.3 dB
- Dynamics
- 10.9 dB
- ISRC
- FR9W12126222
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A deep house cut, All Alone sits in F♯ minor (11A) at 180 BPM. The feel is subdued and even. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 95% of Joachim Pastor's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- better known than 90% of Joachim Pastor's catalogue
- Energy:
- calmer than 88% of Joachim Pastor's catalogue
- Brightness:
- brighter than 87% of Joachim Pastor's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is All Alone in?
All Alone by Joachim Pastor is in F♯ minor, or 11A on the Camelot wheel.
What BPM is All Alone?
All Alone runs at 180 BPM.
What mixes well with All Alone?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is All Alone good for peak time?
With energy 38 out of 100 at 180 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 180 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 180 — beatmatch without a big tempo pull.
More deep house
More from Joachim Pastor
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
