The Other Night
30s preview
- BPM
- 176
- Half-time
- 88
- Open Key
- 3m
- Energy
- 35/100
- Pop
- 0/100
- Length
- 2:05
- Released
- 2016
- Album
- 5
- Genre
- House
- Label
- Djebali
- Loudness
- -15.3 dB
- Dynamics
- 12.0 dB
- ISRC
- FRZ751100687
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 176 BPM in B minor (10A), The Other Night is a house production. The groove is loose and less beat-driven. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets. Less groove-driven than 99% of Djebali's catalogue.
- Reach:
- more underground than 99% of Djebali's catalogue
- Energy:
- calmer than 98% of Djebali's catalogue
- Tempo:
- faster than 98% of Djebali's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is The Other Night in?
The Other Night by Djebali is in B minor, or 10A on the Camelot wheel.
What BPM is The Other Night?
The Other Night runs at 176 BPM.
What mixes well with The Other Night?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is The Other Night good for peak time?
With energy 35 out of 100 at 176 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 176 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 165-187 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 176 — beatmatch without a big tempo pull.
More house
More from Djebali
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 176 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
