Miradors - Jody Wisternoff & James Grant Remix
30s preview
- BPM
- 95
- Double-time
- 190
- Open Key
- 4m
- Energy
- 55/100
- Pop
- 22/100
- Length
- 4:41
- Released
- 2015
- Album
- Anjunadeep 07
- Genre
- Deep House
- Label
- Anjunadeep
- Loudness
- -9.3 dB
- Dynamics
- 14.2 dB
- ISRC
- GBEWA1500621
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A slow-groove tempo deep house cut, Miradors - Jody Wisternoff & James Grant Remix sits in F♯ minor (11A) at 95 BPM. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2015 production that still circulates in sets. Slower than 99% of James Grant's catalogue.
- Low end:
- more treble-tilted than 83% of James Grant's catalogue
- Reach:
- better known than 77% of James Grant's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Miradors - Jody Wisternoff & James Grant Remix in?
Miradors - Jody Wisternoff & James Grant Remix by James Grant is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Miradors - Jody Wisternoff & James Grant Remix?
Miradors - Jody Wisternoff & James Grant Remix runs at 95 BPM, a slow-groove tempo track.
What mixes well with Miradors - Jody Wisternoff & James Grant Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Miradors - Jody Wisternoff & James Grant Remix good for peak time?
With energy 55 out of 100 at 95 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 95 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 89-101 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 95 — beatmatch without a big tempo pull.
More deep house
More from James Grant
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 95 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
