Where Are We Heading by Henrik Schwarz cover art

Where Are We Heading

Henrik Schwarz

Key
9B · G major
BPM
82
Double-time
164
Open Key
2d
Energy
22/100
Pop
1/100
Length
4:27
Released
2017
Genre
House
Loudness
-14.9 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A downtempo house cut, Where Are We Heading sits in G major (9B) at 82 BPM. It reads as brooding and low-slung. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Slower than 97% of Henrik Schwarz's catalogue. In a set it works best as a warm-up or breakdown cut.

Energy:
calmer than 91% of Henrik Schwarz's catalogue
Brightness:
darker than 91% of Henrik Schwarz's catalogue
Groove:
less groove-driven than 80% of Henrik Schwarz's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy22
Mood5Dark
Groove52
Acoustic95
Instrumental92
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Where Are We Heading in?

Where Are We Heading by Henrik Schwarz is in G major, or 9B on the Camelot wheel.

What BPM is Where Are We Heading?

Where Are We Heading runs at 82 BPM, a downtempo track.

What mixes well with Where Are We Heading?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Where Are We Heading good for peak time?

With energy 22 out of 100 at 82 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#Track

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 82 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 77-87 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 82 — beatmatch without a big tempo pull.

More house

#Track

More from Henrik Schwarz

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 82 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track