Lonely Places by Antigone cover art

Lonely Places

Antigone

Key
7B · F major
BPM
80
Double-time
160
Open Key
12d
Energy
13/100
Pop
3/100
Length
4:47
Released
2016
Album
The Soul
Genre
Techno
Loudness
-19.9 dB
ISRC
NLM791600109

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Lonely Places is a downtempo techno track in F major (7B) at 80 BPM. It reads as brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Calmer than 99% of Antigone's catalogue. In a set it works best as a warm-up or breakdown cut.

Tempo:
slower than 99% of Antigone's catalogue
Groove:
less groove-driven than 99% of Antigone's catalogue
Brightness:
darker than 93% of Antigone's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy13
Mood3Dark
Groove8
Acoustic90
Instrumental89
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Lonely Places in?

Lonely Places by Antigone is in F major, or 7B on the Camelot wheel.

What BPM is Lonely Places?

Lonely Places runs at 80 BPM, a downtempo track.

What mixes well with Lonely Places?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is Lonely Places good for peak time?

With energy 13 out of 100 at 80 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 80 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 75-85 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 80 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 80 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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