Neon Pulse
30s preview
- BPM
- 81
- Double-time
- 162
- Open Key
- 3d
- Energy
- 7/100
- Pop
- 0/100
- Length
- 2:20
- Released
- 2025
- Album
- Tremor
- Genre
- Techno
- Label
- Domino
- Loudness
- -21.2 dB
- Dynamics
- 14.7 dB
- ISRC
- GBCEL2500319
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Neon Pulseoriginal9B · 155
Neon Pulse: downtempo techno, D major (10B), 81 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). More underground than 99% of Daniel Avery's catalogue.
- Energy:
- calmer than 98% of Daniel Avery's catalogue
- Low end:
- more treble-tilted than 97% of Daniel Avery's catalogue
- Groove:
- less groove-driven than 93% of Daniel Avery's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 41%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Neon Pulse in?
Neon Pulse by Daniel Avery is in D major, or 10B on the Camelot wheel.
What BPM is Neon Pulse?
Neon Pulse runs at 81 BPM, a downtempo track.
What mixes well with Neon Pulse?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Neon Pulse good for peak time?
With energy 7 out of 100 at 81 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 81 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 76-86 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 81 — beatmatch without a big tempo pull.
More techno
More from Daniel Avery
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 81 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
