Good Lies (Outro)
- Key
- 4A · F minor
- BPM
- 80
- Double-time
- 160
- Open Key
- 9m
- Energy
- 35/100
- Pop
- 32/100
- Length
- 1:06
- Released
- 2023
- Album
- Good Lies
- Genre
- Breakbeat
- Label
- XL Recordings
- Loudness
- -14.5 dB
- ISRC
- GBBKS2200281
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Good Liesoriginal3A · 126
Good Lies (Outro): downtempo breakbeat, F minor (4A), 80 BPM. The feel is brooding and low-slung. It leans atmospheric over strictly danceable. The master keeps real dynamic headroom. Calmer than 99% of Overmono's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- slower than 97% of Overmono's catalogue
- Groove:
- less groove-driven than 96% of Overmono's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Good Lies (Outro) in?
Good Lies (Outro) by Overmono is in F minor, or 4A on the Camelot wheel.
What BPM is Good Lies (Outro)?
Good Lies (Outro) runs at 80 BPM, a downtempo track.
What mixes well with Good Lies (Outro)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Good Lies (Outro) good for peak time?
With energy 35 out of 100 at 80 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 80 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 75-85 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 80 — beatmatch without a big tempo pull.
More breakbeat
More from Overmono
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 80 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
