Cold Blooded by Overmono cover art

Cold Blooded

Overmono

30s preview

Key
7A · D minor
BPM
140
Half-time
70
Open Key
12m
Energy
50/100
Pop
43/100
Length
3:37
Released
2023
Genre
Techno
Loudness
-6.6 dB
Dynamics
10.9 dB
ISRC
GBBKS2200250

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Cold Blooded is a driving up-tempo techno track in D minor (7A) at 140 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. Calmer than 92% of Overmono's catalogue. In a set it works best as a high-intensity peak cut.

Groove:
less groove-driven than 84% of Overmono's catalogue
Reach:
better known than 84% of Overmono's catalogue
Tempo:
faster than 82% of Overmono's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy50
Mood13Dark
Groove45
Acoustic22
Instrumental26
Live12
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Cold Blooded in?

Cold Blooded by Overmono is in D minor, or 7A on the Camelot wheel.

What BPM is Cold Blooded?

Cold Blooded runs at 140 BPM, a driving up-tempo track.

What mixes well with Cold Blooded?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Cold Blooded good for peak time?

With energy 50 out of 100 at 140 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

#Track

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 140 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

#Track

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More from Overmono

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track