Good Lies
30s preview
- BPM
- 126
- Open Key
- 8m
- Energy
- 81/100
- Pop
- 62/100
- Length
- 2:40
- Released
- 2023
- Genre
- Breakbeat
- Label
- XL Recordings
- Loudness
- -4.8 dB
- Dynamics
- 11.3 dB
- ISRC
- GBBKS2200249
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Good Lies (Outro)original4A · 80
Good Lies: club-tempo breakbeat, B♭ minor (3A), 126 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 99% of Overmono's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 89% of Overmono's catalogue
- Tempo:
- slower than 84% of Overmono's catalogue
- Low end:
- more treble-tilted than 76% of Overmono's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Good Lies in?
Good Lies by Overmono is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Good Lies?
Good Lies runs at 126 BPM, a club-tempo track.
What mixes well with Good Lies?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Good Lies good for peak time?
With energy 81 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More breakbeat
More from Overmono
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
