Tanya (Maybe Life)
- Key
- 7B · F major
- BPM
- 128
- Open Key
- 12d
- Energy
- 84/100
- Pop
- 50/100
- Length
- 5:16
- Released
- 2021
- Genre
- House
- Loudness
- -8.2 dB
- ISRC
- US23A1917714
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tanya (Salisbury Station)original7B · 116
A peak-time tempo house cut, Tanya (Maybe Life) sits in F major (7B) at 128 BPM. It is vocal-led. Spoken-word passages run through it. Hotter than 79% of Fred again's catalogue.
- Reach:
- better known than 77% of Fred again's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Tanya (Maybe Life) in?
Tanya (Maybe Life) by Fred again is in F major, or 7B on the Camelot wheel.
What BPM is Tanya (Maybe Life)?
Tanya (Maybe Life) runs at 128 BPM, a peak-time tempo track.
What mixes well with Tanya (Maybe Life)?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Tanya (Maybe Life) good for peak time?
With energy 84 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 128 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Fred again
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
