Mandarine Girl - Eat's 'Twisted' Remake
30s preview
- Key
- 9A · E minor
- BPM
- 128
- Open Key
- 2m
- Energy
- 85/100
- Pop
- 0/100
- Length
- 8:02
- Released
- 2016
- Album
- Mandarine Girl (Eat's 'Twisted' Remake)
- Genre
- Tech House
- Loudness
- -7.3 dB
- Dynamics
- 9.9 dB
- ISRC
- GB45A1600386
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mandarine Girl - 2016 Remasteroriginal11A · 128
- Mandarine Girl - Deetron Remixremix3B · 126
- Mandarine Girloriginal10A · 128
Mandarine Girl - Eat's 'Twisted' Remake runs 128 BPM in E minor (9A), a peak-time tempo tech house record. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. More underground than 99% of Booka Shade's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 85% of Booka Shade's catalogue
- Energy:
- hotter than 81% of Booka Shade's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Mandarine Girl - Eat's 'Twisted' Remake in?
Mandarine Girl - Eat's 'Twisted' Remake by Booka Shade is in E minor, or 9A on the Camelot wheel.
What BPM is Mandarine Girl - Eat's 'Twisted' Remake?
Mandarine Girl - Eat's 'Twisted' Remake runs at 128 BPM, a peak-time tempo track.
What mixes well with Mandarine Girl - Eat's 'Twisted' Remake?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Mandarine Girl - Eat's 'Twisted' Remake good for peak time?
With energy 85 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 128 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Booka Shade
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
