Million Pieces (Kino Todo remix) by Mita Gami cover art

Million Pieces (Kino Todo remix)

Mita Gami

Key
3A · B♭ minor
BPM
128
Open Key
8m
Energy
85/100
Pop
37/100
Length
4:06
Released
2026
Genre
Tech House
Loudness
-7.2 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 125 BPM), this version runs 3 BPM faster and moves the key from 9B to 3A.

Million Pieces (Kino Todo remix): peak-time tempo tech house, B♭ minor (3A), 128 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Faster than 98% of Mita Gami's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 90% of Mita Gami's catalogue
Energy:
hotter than 83% of Mita Gami's catalogue
Groove:
less groove-driven than 83% of Mita Gami's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy85
Mood49Balanced
Groove76
Acoustic0
Instrumental70
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Million Pieces (Kino Todo remix) in?

Million Pieces (Kino Todo remix) by Mita Gami is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Million Pieces (Kino Todo remix)?

Million Pieces (Kino Todo remix) runs at 128 BPM, a peak-time tempo track.

What mixes well with Million Pieces (Kino Todo remix)?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Million Pieces (Kino Todo remix) good for peak time?

With energy 85 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 85/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More tech house

More from Mita Gami

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track