
Waisted (album mix)
30s preview
- BPM
- 128
- Open Key
- 4m
- Energy
- 86/100
- Pop
- 2/100
- Length
- 7:25
- Released
- 2019
- Genre
- Tech House
- Loudness
- -8.7 dB
- Dynamics
- 21.5 dB
- ISRC
- GBJX33719023
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Waistedoriginal11A · 128
Waisted (album mix) runs 128 BPM in F♯ minor (11A), a peak-time tempo tech house record. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is focused in the upper-mids, present and forward. The master keeps unusual dynamic range for club music (crest 22 dB). More treble-tilted than 99% of Archie Hamilton's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 88% of Archie Hamilton's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 17%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 33%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Waisted (album mix) in?
Waisted (album mix) by Archie Hamilton is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Waisted (album mix)?
Waisted (album mix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Waisted (album mix)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Waisted (album mix) good for peak time?
With energy 86 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Archie Hamilton
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.