Kill that bass
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 86/100
- Pop
- 6/100
- Length
- 4:00
- Released
- 2025
- Album
- 10 years Anniversary VA
- Genre
- Minimal
- Loudness
- -7.1 dB
- ISRC
- GBKQU2502909
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Kill that bass runs 128 BPM in G major (9B), a peak-time tempo minimal record. The mix is almost entirely instrumental. Hotter than 93% of Nu Zau's catalogue.
- Tempo:
- faster than 89% of Nu Zau's catalogue
- Groove:
- less groove-driven than 89% of Nu Zau's catalogue
- Reach:
- better known than 83% of Nu Zau's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Kill that bass in?
Kill that bass by Nu Zau is in G major, or 9B on the Camelot wheel.
What BPM is Kill that bass?
Kill that bass runs at 128 BPM, a peak-time tempo track.
What mixes well with Kill that bass?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Kill that bass good for peak time?
With energy 86 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More minimal
More from Nu Zau
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.