Just Come - Marco Lys Extended Remix
30s preview
- Key
- 8A · A minor
- BPM
- 128
- Open Key
- 1m
- Energy
- 86/100
- Pop
- 0/100
- Length
- 6:02
- Released
- 2024
- Album
- Just Come (Marco Lys Remix)
- Genre
- Tech House
- Loudness
- -4.8 dB
- Dynamics
- 15.3 dB
- ISRC
- GBCPZ2322988
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Just Come - Marco Lys Remixremix8A · 128
Just Come - Marco Lys Extended Remix runs 128 BPM in A minor (8A), a peak-time tempo tech house record. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). More underground than 99% of Marco Lys's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 94% of Marco Lys's catalogue
- Tempo:
- faster than 83% of Marco Lys's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Just Come - Marco Lys Extended Remix in?
Just Come - Marco Lys Extended Remix by Marco Lys is in A minor, or 8A on the Camelot wheel.
What BPM is Just Come - Marco Lys Extended Remix?
Just Come - Marco Lys Extended Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Just Come - Marco Lys Extended Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Just Come - Marco Lys Extended Remix good for peak time?
With energy 86 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 128 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Marco Lys
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
