P.S. You Rock (Spektre remix)
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 85/100
- Pop
- 3/100
- Length
- 7:43
- Released
- 2009
- Genre
- Tech House
- Loudness
- -8.6 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- P.S. You Rock - Original Mixoriginal10A · 129
Against the original (10A at 129 BPM), this version runs 1 BPM slower and moves the key from 10A to 9B.
P.S. You Rock (Spektre remix) is a peak-time tempo tech house track in G major (9B) at 128 BPM. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2009 production that still circulates in sets. Faster than 95% of Marc DePulse's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 94% of Marc DePulse's catalogue
- Groove:
- groovier than 86% of Marc DePulse's catalogue
- Energy:
- hotter than 81% of Marc DePulse's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is P.S. You Rock (Spektre remix) in?
P.S. You Rock (Spektre remix) by Marc DePulse is in G major, or 9B on the Camelot wheel.
What BPM is P.S. You Rock (Spektre remix)?
P.S. You Rock (Spektre remix) runs at 128 BPM, a peak-time tempo track.
What mixes well with P.S. You Rock (Spektre remix)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is P.S. You Rock (Spektre remix) good for peak time?
With energy 85 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Marc DePulse
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
