Diana (You Don’t Even Know)
30s preview
- BPM
- 123
- Open Key
- 3d
- Energy
- 71/100
- Pop
- 53/100
- Length
- 3:25
- Released
- 2021
- Genre
- House
- Loudness
- -7.1 dB
- Dynamics
- 11.3 dB
- ISRC
- GBAHS2001194
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Diana (You Don’t Even Know): club-tempo house, D major (10B), 123 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Groovier than 96% of Fred again's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- brighter than 95% of Fred again's catalogue
- Reach:
- better known than 81% of Fred again's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Diana (You Don’t Even Know) in?
Diana (You Don’t Even Know) by Fred again is in D major, or 10B on the Camelot wheel.
What BPM is Diana (You Don’t Even Know)?
Diana (You Don’t Even Know) runs at 123 BPM, a club-tempo track.
What mixes well with Diana (You Don’t Even Know)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Diana (You Don’t Even Know) good for peak time?
With energy 71 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 123 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Fred again
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
