Pretty Good Debbie - Original Mix
30s preview
- Key
- 9B · G major
- BPM
- 123
- Open Key
- 2d
- Energy
- 73/100
- Pop
- 0/100
- Length
- 5:52
- Released
- 2014
- Album
- Pilot EP
- Genre
- Tech House
- Loudness
- -8.5 dB
- Dynamics
- 13.7 dB
- ISRC
- GBENT0154010
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Pretty Good Debbie - Supernova Remixremix2B · 123
Pretty Good Debbie - Original Mix: club-tempo tech house, G major (9B), 123 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. The master keeps unusual dynamic range for club music (crest 14 dB). A 2014 production that still circulates in sets. More underground than 99% of PAWSA's catalogue.
- Low end:
- more treble-tilted than 99% of PAWSA's catalogue
- Tempo:
- slower than 98% of PAWSA's catalogue
- Groove:
- groovier than 95% of PAWSA's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Pretty Good Debbie - Original Mix in?
Pretty Good Debbie - Original Mix by PAWSA is in G major, or 9B on the Camelot wheel.
What BPM is Pretty Good Debbie - Original Mix?
Pretty Good Debbie - Original Mix runs at 123 BPM, a club-tempo track.
What mixes well with Pretty Good Debbie - Original Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Pretty Good Debbie - Original Mix good for peak time?
With energy 73 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 123 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from PAWSA
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
