GOING TO THE PARK by PAWSA cover art

GOING TO THE PARK

PAWSA

Key
9B · G major
BPM
130
Open Key
2d
Energy
77/100
Pop
46/100
Length
3:34
Released
2020
Genre
Tech House
Loudness
-16.1 dB
ISRC
GBKQU2099562

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 130 BPM in G major (9B), GOING TO THE PARK is a peak-time tempo tech house production. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Brighter than 98% of PAWSA's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 91% of PAWSA's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy77
Mood97Bright
Groove80
Acoustic0
Instrumental81
Live10
Speech9

Frequency spectrum

amplitude · bass → treble

FAQ

What key is GOING TO THE PARK in?

GOING TO THE PARK by PAWSA is in G major, or 9B on the Camelot wheel.

What BPM is GOING TO THE PARK?

GOING TO THE PARK runs at 130 BPM, a peak-time tempo track.

What mixes well with GOING TO THE PARK?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is GOING TO THE PARK good for peak time?

With energy 77 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#Track

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 130 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 77/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

#Track

More tech house

More from PAWSA

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track