
GOING TO THE PARK
- Key
- 9B · G major
- BPM
- 130
- Open Key
- 2d
- Energy
- 77/100
- Pop
- 46/100
- Length
- 3:34
- Released
- 2020
- Genre
- Tech House
- Loudness
- -16.1 dB
- ISRC
- GBKQU2099562
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- GOING TO THE PARK - EXTENDED MIXversion9B · 130
At 130 BPM in G major (9B), GOING TO THE PARK is a peak-time tempo tech house production. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Brighter than 98% of PAWSA's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 91% of PAWSA's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is GOING TO THE PARK in?
GOING TO THE PARK by PAWSA is in G major, or 9B on the Camelot wheel.
What BPM is GOING TO THE PARK?
GOING TO THE PARK runs at 130 BPM, a peak-time tempo track.
What mixes well with GOING TO THE PARK?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is GOING TO THE PARK good for peak time?
With energy 77 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 130 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More tech house
More from PAWSA
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.