
The Ghost of Her Smile
30s preview
- Key
- 9B · G major
- BPM
- 140
- Half-time
- 70
- Open Key
- 2d
- Energy
- 77/100
- Pop
- 0/100
- Length
- 3:41
- Released
- 2025
- Album
- Tremor
- Genre
- Techno
- Label
- Domino
- Loudness
- -6.2 dB
- Dynamics
- 12.4 dB
- ISRC
- GBCEL2500327
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Ghost of Her Smileoriginal9B · 140
- The Ghost of Her Smileoriginal9B · 140
The Ghost of Her Smile runs 140 BPM in G major (9B), a driving up-tempo techno record. It reads as punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Daniel Avery's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 83% of Daniel Avery's catalogue
- Brightness:
- brighter than 76% of Daniel Avery's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is The Ghost of Her Smile in?
The Ghost of Her Smile by Daniel Avery is in G major, or 9B on the Camelot wheel.
What BPM is The Ghost of Her Smile?
The Ghost of Her Smile runs at 140 BPM, a driving up-tempo track.
What mixes well with The Ghost of Her Smile?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is The Ghost of Her Smile good for peak time?
With energy 77 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 140 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More techno
More from Daniel Avery
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.