Verano Azul
30s preview
- BPM
- 144
- Half-time
- 72
- Open Key
- 4m
- Energy
- 63/100
- Pop
- 0/100
- Length
- 5:47
- Released
- 1996
- Genre
- Acid
- Loudness
- -13.7 dB
- Dynamics
- 12.8 dB
- ISRC
- USNRS1332248
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Verano Azul: driving up-tempo acid, F♯ minor (11A), 144 BPM. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 1996 production that still circulates in sets. More underground than 99% of Josh Wink's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 84% of Josh Wink's catalogue
- Low end:
- more bass-heavy than 81% of Josh Wink's catalogue
- Energy:
- calmer than 78% of Josh Wink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Verano Azul in?
Verano Azul by Josh Wink is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Verano Azul?
Verano Azul runs at 144 BPM, a driving up-tempo track.
What mixes well with Verano Azul?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Verano Azul good for peak time?
With energy 63 out of 100 at 144 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 144 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
More acid
More from Josh Wink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
