Greasy off the Racing Line
30s preview
- Key
- 1B · B major
- BPM
- 144
- Half-time
- 72
- Open Key
- 6d
- Energy
- 58/100
- Pop
- 0/100
- Length
- 4:09
- Released
- 2025
- Genre
- Techno
- Loudness
- -7.1 dB
- Dynamics
- 8.8 dB
- ISRC
- GBCEL2500325
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Greasy Off the Racing Lineoriginal4A · 144
A driving up-tempo techno cut, Greasy off the Racing Line sits in B major (1B) at 144 BPM. The feel is dark and steady. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Daniel Avery's catalogue.
- Tempo:
- faster than 86% of Daniel Avery's catalogue
- Brightness:
- darker than 78% of Daniel Avery's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Greasy off the Racing Line in?
Greasy off the Racing Line by Daniel Avery is in B major, or 1B on the Camelot wheel.
What BPM is Greasy off the Racing Line?
Greasy off the Racing Line runs at 144 BPM, a driving up-tempo track.
What mixes well with Greasy off the Racing Line?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Greasy off the Racing Line good for peak time?
With energy 58 out of 100 at 144 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
![Syntax [One] by Richie Hawtin cover art](https://i.scdn.co/image/ab67616d00001e029d1f9d69ee62c902cc2eb981){kind=small}
How to mix it
In 1B at 144 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
More techno
More from Daniel Avery
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Forty Thousand Dollars // [COLOR002] - Original Mix by Trym cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/4c3045a93892fe57ba20.webp){kind=small}
