Berwyn (all that i got is you)
30s preview
- BPM
- 127
- Open Key
- 7d
- Energy
- 41/100
- Pop
- 52/100
- Length
- 3:41
- Released
- 2022
- Genre
- House
- Loudness
- -14.4 dB
- Dynamics
- 11.7 dB
- ISRC
- GBAHS2201030
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Berwyn (kennington tube)original3B · 139
- Berwyn (all that i got is you)original2B · 127
Berwyn (all that i got is you): peak-time tempo house, F♯ major (2B), 127 BPM. It reads as dark and steady. It leans atmospheric over strictly danceable. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Darker than 88% of Fred again's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more bass-heavy than 88% of Fred again's catalogue
- Groove:
- less groove-driven than 84% of Fred again's catalogue
- Reach:
- better known than 79% of Fred again's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Berwyn (all that i got is you) in?
Berwyn (all that i got is you) by Fred again is in F♯ major, or 2B on the Camelot wheel.
What BPM is Berwyn (all that i got is you)?
Berwyn (all that i got is you) runs at 127 BPM, a peak-time tempo track.
What mixes well with Berwyn (all that i got is you)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Berwyn (all that i got is you) good for peak time?
With energy 41 out of 100 at 127 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 127 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Fred again
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
