Tayla (Every Night) by Fred again cover art

Tayla (Every Night)

Fred again

30s preview

Key
6A · G minor
BPM
128
Open Key
11m
Energy
47/100
Pop
42/100
Length
1:06
Released
2021
Genre
House
Loudness
-8.5 dB
Dynamics
14.0 dB
ISRC
GBAHS2101342

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Tayla (Every Night) is a peak-time tempo house track in G minor (6A) at 128 BPM. The feel is dark and steady. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). Less groove-driven than 80% of Fred again's catalogue. For programming, treat it as a mid-set roller.

Low end:
more treble-tilted than 78% of Fred again's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy47
Mood31Dark
Groove46
Acoustic86
Instrumental0
Live16
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Tayla (Every Night) in?

Tayla (Every Night) by Fred again is in G minor, or 6A on the Camelot wheel.

What BPM is Tayla (Every Night)?

Tayla (Every Night) runs at 128 BPM, a peak-time tempo track.

What mixes well with Tayla (Every Night)?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Tayla (Every Night) good for peak time?

With energy 47 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 128 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More house

More from Fred again

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track