Aftermath - Ricardo Villalobos & Max Loderbauer Electric Jazz Version
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 54/100
- Pop
- 1/100
- Length
- 16:22
- Released
- 2014
- Album
- Aftermath (Ricardo Villalobos & Max Loderbauer Remixes)
- Genre
- Minimal Techno
- Loudness
- -12.5 dB
- Dynamics
- 13.4 dB
- ISRC
- GBBPW1400124
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Aftermath - Ricardo Villalobos & Max Loderbauer Dubversion9B · 124
Aftermath - Ricardo Villalobos & Max Loderbauer Electric Jazz Version runs 128 BPM in D♭ major (3B), a peak-time tempo minimal techno record. Tonally it lands balanced in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2014 production that still circulates in sets. Less groove-driven than 84% of Ricardo Villalobos's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Aftermath - Ricardo Villalobos & Max Loderbauer Electric Jazz Version in?
Aftermath - Ricardo Villalobos & Max Loderbauer Electric Jazz Version by Ricardo Villalobos is in D♭ major, or 3B on the Camelot wheel.
What BPM is Aftermath - Ricardo Villalobos & Max Loderbauer Electric Jazz Version?
Aftermath - Ricardo Villalobos & Max Loderbauer Electric Jazz Version runs at 128 BPM, a peak-time tempo track.
What mixes well with Aftermath - Ricardo Villalobos & Max Loderbauer Electric Jazz Version?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Aftermath - Ricardo Villalobos & Max Loderbauer Electric Jazz Version good for peak time?
With energy 54 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More minimal techno
More from Ricardo Villalobos
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
