Aftermath - Ricardo Villalobos & Max Loderbauer Dub
30s preview
- Key
- 9B · G major
- BPM
- 124
- Open Key
- 2d
- Energy
- 57/100
- Pop
- 3/100
- Length
- 18:33
- Released
- 2014
- Album
- Aftermath (Ricardo Villalobos & Max Loderbauer Remixes)
- Genre
- Minimal Techno
- Loudness
- -9.2 dB
- Dynamics
- 12.8 dB
- ISRC
- GBBPW1400123
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
Against the original (3B at 128 BPM), this version runs 4 BPM slower and moves the key from 3B to 9B.
Aftermath - Ricardo Villalobos & Max Loderbauer Dub runs 124 BPM in G major (9B), a club-tempo minimal techno record. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2014 production that still circulates in sets. Groovier than 93% of Ricardo Villalobos's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 85% of Ricardo Villalobos's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Aftermath - Ricardo Villalobos & Max Loderbauer Dub in?
Aftermath - Ricardo Villalobos & Max Loderbauer Dub by Ricardo Villalobos is in G major, or 9B on the Camelot wheel.
What BPM is Aftermath - Ricardo Villalobos & Max Loderbauer Dub?
Aftermath - Ricardo Villalobos & Max Loderbauer Dub runs at 124 BPM, a club-tempo track.
What mixes well with Aftermath - Ricardo Villalobos & Max Loderbauer Dub?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Aftermath - Ricardo Villalobos & Max Loderbauer Dub good for peak time?
With energy 57 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 124 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More minimal techno
More from Ricardo Villalobos
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
