Winnie
30s preview
- Key
- 8B · C major
- BPM
- 128
- Open Key
- 1d
- Energy
- 38/100
- Pop
- 45/100
- Length
- 4:03
- Released
- 2021
- Genre
- House
- Loudness
- -11.0 dB
- Dynamics
- 12.1 dB
- ISRC
- GBAHS2201037
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Winnie (rosslyn crescent)original8B · 61
- Winnie (end of me)original8B · 128
At 128 BPM in C major (8B), Winnie is a peak-time tempo house production. Tonally it lands brooding and low-slung. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). More treble-tilted than 85% of Fred again's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 79% of Fred again's catalogue
- Groove:
- less groove-driven than 76% of Fred again's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Winnie in?
Winnie by Fred again is in C major, or 8B on the Camelot wheel.
What BPM is Winnie?
Winnie runs at 128 BPM, a peak-time tempo track.
What mixes well with Winnie?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Winnie good for peak time?
With energy 38 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 128 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Fred again
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
