Seattle - Azzido Da Bass vs Smallboy Remix
30s preview
- Key
- 9B · G major
- BPM
- 127
- Open Key
- 2d
- Energy
- 41/100
- Pop
- 0/100
- Length
- 6:48
- Released
- 2008
- Album
- Seattle
- Genre
- Big Beat
- Loudness
- -8.8 dB
- Dynamics
- 14.3 dB
- ISRC
- GBEFR0801634
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Seattleoriginal10B · 127
- Seattle - Brookes Brothers Remixremix10B · 174
- Seattle - Crazy P Remixremix10B · 124
- Seattle - Azzido Da Bass vs Smallboy Dubversion8A · 127
- Seattle - Jaimie Fanatic Big Dubversion10A · 130
- Seattle - Jaimie Fanatic Big Mixoriginal10B · 130
Against the original (10B at 127 BPM), this version holds the same tempo and moves the key from 10B to 9B.
A peak-time tempo big beat cut, Seattle - Azzido Da Bass vs Smallboy Remix sits in G major (9B) at 127 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2008 production that still circulates in sets. More underground than 99% of Fatboy Slim's catalogue.
- Energy:
- calmer than 98% of Fatboy Slim's catalogue
- Groove:
- groovier than 94% of Fatboy Slim's catalogue
- Low end:
- more bass-heavy than 82% of Fatboy Slim's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Seattle - Azzido Da Bass vs Smallboy Remix in?
Seattle - Azzido Da Bass vs Smallboy Remix by Fatboy Slim is in G major, or 9B on the Camelot wheel.
What BPM is Seattle - Azzido Da Bass vs Smallboy Remix?
Seattle - Azzido Da Bass vs Smallboy Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Seattle - Azzido Da Bass vs Smallboy Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Seattle - Azzido Da Bass vs Smallboy Remix good for peak time?
With energy 41 out of 100 at 127 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More big beat
More from Fatboy Slim
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
