Been Some Time
30s preview
- BPM
- 127
- Open Key
- 8m
- Energy
- 54/100
- Pop
- 15/100
- Length
- 7:18
- Released
- 2023
- Genre
- House
- Loudness
- -9.8 dB
- Dynamics
- 10.0 dB
- ISRC
- DEH742318630
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 127 BPM in B♭ minor (3A), Been Some Time is a peak-time tempo house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Calmer than 95% of Kolter's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 95% of Kolter's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Been Some Time in?
Been Some Time by Kolter is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Been Some Time?
Been Some Time runs at 127 BPM, a peak-time tempo track.
What mixes well with Been Some Time?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Been Some Time good for peak time?
With energy 54 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
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How to mix it
In 3A at 127 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Kolter
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
