Who You Talking To ? - Radio-Edit
30s preview
- BPM
- 132
- Open Key
- 8d
- Energy
- 88/100
- Pop
- 52/100
- Length
- 2:47
- Released
- 2025
- Album
- Who You Talking To ?
- Genre
- Deep House
- Label
- Koltrax
- Loudness
- -8.4 dB
- Dynamics
- 10.9 dB
- ISRC
- DEH742502522
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Who You Talking To ? - Radio-Edit: peak-time tempo deep house, D♭ major (3B), 132 BPM. It reads as bright and euphoric. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 99% of Kolter's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 87% of Kolter's catalogue
- Brightness:
- brighter than 79% of Kolter's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Who You Talking To ? - Radio-Edit in?
Who You Talking To ? - Radio-Edit by Kolter is in D♭ major, or 3B on the Camelot wheel.
What BPM is Who You Talking To ? - Radio-Edit?
Who You Talking To ? - Radio-Edit runs at 132 BPM, a peak-time tempo track.
What mixes well with Who You Talking To ? - Radio-Edit?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Who You Talking To ? - Radio-Edit good for peak time?
With energy 88 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 132 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More deep house
More from Kolter
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
